Lucifer Valentine is the maker of a film titled “Slaughtered Vomit Dolls”.

This interview was conducted in September 2006 by Jason H. aka EVOL666.
 

Interviewer:  First off - let’s get some of the “boring” shit out of the way - where you’re from, where you live now, interests, any previous film background, and anything else simple that you’d like the fine readers out there to know about you - you can keep it short and simple for now, as we’ll delve into deeper details in a bit…

I am originally from Arniston, South Africa. I have lived in many different countries (my favorite was Monaco) I currenty live in the USA. I am interested in Incest, drinking Abscinthe, Extreme Ultra Violence, Carl Jung and making art. My parents are Satanists and they study terrestrial invertebrates (bugs), my sister and I are more interested in Carl Jung and fucking each other

Interviewer:  Ok…So I gotta ask - how much of this is “for real” and how much is “show”. By Satanist - do you mean in the Anton Levay “do what thou wilt” sort of Satanism - or are we talking about sacrificing goats while listening to Death Metal? Is this truly a way of life or are these things like Satanism and fucking your sister and all that just to add shock-value to your “persona”?

Well my parents hate Death Metal and would never in a million years harm a goat (they’d want to kill someone who sacrifices goats), so it’s more towards the LaVeyan Satanism, although my folks sorta departed from that too a little as they got older and formed their own ideas of Satanism. And my sister has actually stopped traffic in Vegas from being so incredibly gorgeous so it would be stupid for me not to be fucking her; she’s actually my girlfriend and we’re in love, for real, she wants to marry me; although, I’m not sure I want to do that as I don’t think I’m the marrying type. Yes, my sister wants to have mutated two-headed inbred children of the Beast with me, Mister.

Interviewer:  hmmm…if your sister’s that hot, then I’d probably wanna fuck her too - so no arguement with you there.

EASY tiger, that’s my woman you talkin’ ’bout! LOL . . .

Interviewer:  Hey Luc, if you’re talkin’ about sister-fucking - then EVERYTHING’s fair-game here Is there anything specific in your Satanic belief system that you’d like to share with the readers - practices, credos, ceremonies, anything that would be noteworthy to other practicing Satanists or those interested in this subject?

That’s really more my parents’ gig; one of my interpretations of Satanism is Pact with the Devil scene in SLAUGHTERED VOMIT DOLLS as a “reverse homage” to Geraldo’s Satanic panic TV shows, and to the “concerned” parents in the neighborhoods in which i was raised who thought I would grow up to be the stereotypical “Death Metal goat sacrificer” that you mentioned. Satanism is so very misunderstood as something overtly violent, and my folks never forced their beliefs on me. As a youngster I would mostly be a supportive spectator to rituals not unlike those seen in Invocation of my Demon Brother; and I thought it was great because of the performance of it all and the costumes. Basically, I was taught to respect nature, especially animals, and to be in tune with my animalistic beast-like nature, and to protect my sister at all times. I was also taught to use my mind as a weapon and to show no mercy (no Slayer intended) to an adversary, to fear no one, but show kindness, loyalty and generosity to friends who deserve it.

Interviewer:  So as you got older and developed your own “personality” - did you begin to relate more to the goth/metal scene and end up in those crowds, or are you completely not like that? I’ve personally seen no pictures of you, so if I saw you on the street, would I expect you to look like the typical “Satanic-emetophile-sister-fucking-goth/metal-kid” - or is your personal “style” something completely different?

I always had lots of friends and girlfriends that were Goth/Death/Black Metal/Hardcore/Gutter Punk/etc/ but I never dressed that way at all; I did however have a natural comradery with the stereotypical high school outcast crowds as our mindsets were counter cultural and subversive and we liked a lot of the same music. I always loved the Ralph Lauren look (seriously), and I have spent a lot of time in the South in the USA so some people describe me as Cowboy-ish looking.

Interviewer:  Wow - “Cowboyish”??? That is ABSOLUTELY the LAST thing I would have pictured…
for reals.

Interviewer:  One final question about your appearance - your Myspace profile states that your 6′ 7″ and 109 pounds. Is that true? Is that even possible??? I mean, I’ve heard all about “starving artists” and what not, but that sounds a bit “extreme” - or (if that IS accurate) does that have anything to do with the emetophile life-style?it’s possible bro, i look like a preying mantis.i actually eat like a pig but i just have a fast metabolism i guess, cuz i burn it all away. i’ve never had an eating disorder, my girlfriends all do though. Interviewer:  I gotta say - I’d LOVE to see a picture of you … So as most reading this will know - you are the director of the “controversial” film, SLAUGHTERED VOMIT DOLLS - which you’ve dubbed under the genre-title of “Vomit Gore”. We’ll get into SVD specifically in a minute - but prior to filming SVD, were you involved in any other film-making projects? Do you have any formal film training, or was this all done “off the cuff” so to speak? i had made tons of “recordings” of things and was quite compulsive about recording moments that made me feel strong emotions; mostly, these early recordings were of my sister (Cinderella aka Cindy), she’s nearly blind and is strangely in love with performing on camera for me, and we would just talk about whatever sad, terrifying, horrific ideas popped into our heads and act them out when we were young. My sis’ used to spontaneously start talking in weird voices and would say things that seemed like they were messages coming from another planet or dimension or world and i’d videotape her and later we’d “watch” the footage and make up tangential stories from her seemingly random dialogue and we’d also find weird hidden meanings in her words and it became quite beautiful; I guess that’s why I made Ameara LaVey do her dialogue in SVD the way she did, I was actually making her imitate my sister as a youngster and i was re-creating that process, and I’d slow her voice down to reference my sis’ making weird voices for seemingly no reason. That’s my formal training in film making.Interviewer:  As far as film in general is concerned, I have to ask the obligatory question - what directors/films/music/art, etc… inspired you or do you feel are influences on your film either directly or indirectly?

As for movies: Guinea Pig, Salo, Man Behind the Sun, Taboo 2, Nekromantik, Bloodsucking Freaks, Gore Gore Girls, Maniac (Joe Spinnell), Begotten, The Elephnat Man, Maxhardcore movies, Blue Velvet, Lost Highway, The Orkly Kid, Gummo, Grave-Robbing for Morons, Julien Donkey-Boy, Bully, Contemporary Embalming, Happiness to name a few movies that affected me deeply. For music, some of the biggest influences that filter directly into my movies are: MELVINS, Massonna, Merzbow, Fantomas, Earth, Thrones, Godheadsilho, Unsane, Diamanda Galas, Melt Banana and G.G. Allin.

Interviewer:  Sounds like you have a pretty well-rounded list of horror and other films there. How do you feel about the current scene of “shock”-horror films. More specifically - what do you think of both the directors and works of say, Nick (MURDER-SET-PIECES) Palumbo, Ryan (TORCHED, LIVE FEED) Nicholson, Fred (AUGUST UNDERGROUND) Vogel, and some of the Asian guys like Daisuke (MUZAN E, RED ROOM, GIRL HELL) Yamanouchi, and Tamakichi (PSYCHO: THE SNUFF REELS, WOMEN’S HELL) Anaru? It seems that a lot of guys are trying to grab the crown - what are your thoughts on these people personally, and their films?the only movies ya named that i’ve seen are Murder Set Pieces and about ten minutes of August Underground. I don’t know any of those directors personally and have never even spoken to any of them so i couldn’t really say i have an opinion on them; however, i’d like to think that they are all good fellas and that we could have a beer and talk shop, and i don’t consider myself in competition with them, it’s not about that. i didn’t feel anything at all when i saw MSP, so i hardly even remember it, and when i played August Underground i had an unspeakably hot girl over at my place and she was naked and gagging herself with a butcher knife and i was burning her neck with a cigarette and she puked on my boots and so i decided to fuck her in the ass so i didn’t really watch AU passed the first ten minutes.Interviewer:  Yeah - I’d agree that chicks gagging themselves with knives while you fuck them in the ass definitely takes precedence to watching a film.

Is there any truth then that you have beef with either the Fright-Flix or Toe-Tags camps? I seem to remember a lot of shit-talk on all sides on IMDb about each other’s films - were you personally not involved in any of that?i am SO GLAD you asked me that question. i do not have, and have NEVER had any beef, problem, disagreement EVER with Fright Flix or Toe Tag. I simply do not know these people and we’ve never spoken, so it would be impossible for me to have had a beef with any of them as i’ve had no experience or contact with them. also, they are fellow directors in the extreme underground, and i would actually go out of my way to get along with them if our paths ever even crossed. i dont know if there’s been any “shit talk” from them about me and i wouldn’t care if there was; in fact i wouldnt even mind if they did say nasty things about me — i dont want everyone to like me — i’m not mister rogers and i’m not on this earth to be everyone’s friend, many many people on discussion forums etc besides the fellas from Fright Flix and Toe Tag have said what they may think is bad, nasty negative things about me and one thing they may not understand is: I LIKE THAT. if it’s as simple as saying that “they” are right and i am wrong, let me just state clearly for the record here: I WANT TO BE WRONG. thank you. Interviewer:  In that case I hope this helps to “clear the air” then - though it’s obvious that you couldn’t care less about how you’re “judged”, nor should you care for that matter… SVD obviously showcases your fetishism for vomit - that much is clear. How and at what age did you first discover what some would consider a “strange” fascination with puke? Are there any other bodily-functions that excite you (other than some good ol’ in-out of course…)? Does scat/piss material do anything for you or is that not your “bag”?about four years ago i stayed with a group of friends in Helsinki Finland for several weeks, and one night they decided to show me countless uncensored Maxhardcore dvs; so we had a Maxhardcore marathon which lasted three days. these particular dvds showcases Maxhardcore’s more recent works and focused heavily on “puke-fucking”, or Emetophilia, and showed, among many things, gals getting gagged with Max’s cock till they puked all over it, then he would immediately fuck them in the ass using the puke as lubrication and i immediately was hooked. forgive me, but i have to paste an excerpt from another interview here to descibe it cuz there’s no ther way: ” . . .they would let Max use their puke that was all over his cock as lubrication so he could fuck them in the ass.I remember really liking this a lot, and I thought it looked like people from another planet, or parallel dimension of humans that LOOK exactly the way we do, but do not function sexually or emotionally as we Earthlings do, we just share a similar atmosphere and body structure.” i mostly only do hardcore sex acts with gals, and these days only with my sister, however, yeah i do like to drink her piss, [NOTE: crazy, my sister just called me on the phone this second while i’m talking about drinking her piss, if ya have a question for my sister Cinderella go ahead and ask, she’ll be MORE than happy to answer any sick incest shit] and i like making her eat her own shit and cutting her up with razors and drinking here blood while she calls me Daddy. as far as the ol’ in/out goes, i rarely ever do vaginal with my little sister unless she’s been really really good and begs me for it, because i had to teach her that that’s not hardcore and that VAGINAL IS FOR PUSSIES.Interviewer:  VAGINAL IS FOR PUSSIES - that’s fucking classic, I’ll have to teach my girlfriend that…but nah - can’t think of anything for Cindy at the moment - but if so - I’ll get back to you - I’m sure if you guys are in a relationship and fucking and whatnot, that you talk on a pretty regular basis… So we’ve broached the subjects of your past, the vomit fetish, a bit about your “current” life - let’s tie this all together and tell the readers how all of this became SLAUGHTERED VOMIT DOLLS. What was the impetus for turning these concepts of Satanism, emetophilia, bulimia, prostitution, etc…into a concept that you felt you HAD to put down in a visual/audio medium? Walk us through the thought process if you will…

Ameara and I were boyfriend/girlfriend, and she had done hardcore porn, and was a stripper, i was a Satanist and an Emetophile, she needed a place to stay as she got kicked out of her other place,she asked me and i said for sure she could stay at my place as along as she was OK with me shooting her anytime, doing anything, at MY discretion, not hers. so we lived happily for several weeks, and i videotaped many scenarios to do with our sex life and “private” conversations we had that were very sad and disturbing, mostly about Ameara’s life, she was in poor health at the time and really just hung out while i did my thing. i travel a lot and a few more weeks later i found myself in Seattle, and i was wondering around and i walked down to Kurt Cobain’s home as i am obsessed with the Melvins, a band he idolized, and i was fascinated and deeply saddened by his suicide. I stood mtionless outside Cobain’s house for a very long time and was mesmerized and very moved and i believe i could feel his presence, then my cel phone rang and it was Ameara LaVey and i just automatically said: “Babe, we’re going to make a movie about a dimension of the parapsychological synchronistic events that took place during the last six days of Kurt Cobain’s life.” And she said, “Great! Wow, that sounds pretty wild, when are you coming home?” So SLAUGHTERED VOMIT DOLLS is the depiction of the Death of a girl named Angela Aberdeen (Aberdeen is the name of Cobain’s hometown) and what led up to her suicide during the exact same time period as Kurt Cobain’s suicide.

Interviewer:  I had heard that there was a “tie” between the film and the Cobain suicide. So SVD isn’t actually about Cobain’s suicide or linked to him in any “tangible” way, but rather about something that takes place during the same time-frame, correct?

SLAUGHTERED VOMIT DOLLS is Kurt Cobain’s sucide. I think that the word “tangible” here gets undermined in its inherent meaning to the point of being rendered a paradox; i say this because the parapsychological synchronistic parallel and/or tangential dimensions i am rererring to ARE tangible to me, and others i would expect, especially those that study Carl Jung and the unconscious, so therefore to me they are not “imaginary and envisioned”, but are actual occurences that take place in reality or realities in the Collective Unconscious (ie. the Universe), that are beyond the threshold of conscious equilibrium here on planet earth, USA, year 2006, and may be unknown or imperceptible to mass consciousness in general; but to me that does not mean that they are not happening or that they do not exist. i am also saying that the Death of Angela Aberdeen, in a parallel dimension/reality is the equivalent and may even be “marbled into” the manifestation and cause of Kurt Cobain’s suicide, and therefore “coincidences” surrounding the two events can and often will surpass the threshold of coincidence and can then take on profound trancendent meaning.

Interviewer:  I’m not even going to try to pretend that I understand any of that…but I’ll assume you answered the question and hopefully it will make sense to some of our more “scholarly” readers…that’s no offense to you, I’m just a dumb horror-fan…  

ok.

Interviewer:  You’ve told us about your connection with Ameara LeVay and how she came to be in your film - who are the other cast members and how do they fit in your “circle”? I assume they are friends and not classically trained actors - or perhaps they’re both. Give us some background on them and how they came to be in your production. Also - you’ve mentioned your relationship with both Ameara and your sister - were you carrying on simultaneous relationships or were you “split” with the other parties while you were with the other?the “execution” victims in SVD are close friends, mostly hardcore porn actors but not all of them are; they all know me and understand what i’m all about which is having a great time and enjoying life, if they were classically trained actors i probably wouldn’t want to work with them so they’re not . . . Hank Skinny, the Ron Jeremy of Vomit Gore, is just an amazing talent and such an anomaly, he is close friends with my B-camera man and one night he stopped by the set to say hello and mentioned to me between takes that he could puke up a storm if i wanted him to, i said “great you’re in the next scene then”, and a star was born !! my prosthetics team, Arcanum Design, are just phenomenally fucking great, and all my actors are TROOPERS who go the extra mile and then some for me and i am forever grateful to them and their courage, dedication and dedication. when i was with Ameara me and my sister hadn’t been together in about a year and a half; at that time my sister had a “civillian” boyfriend which i thought was so hilarious, they actually broke up around the time Ameara and i broke up so that worked out nicely. Interviewer:  Sounds like a dedicated group of guys n’ gals… You know from my somewhat unfavorable review of your film that my main “gripe” with SVD was the way the film was shot/edited. I called it a “shaky” camera-style, where there were very few “stable” looking shots, which to me was more nausea-inducing then anything portrayed in the film - especially when viewed over the duration of the entire film. Obviously the style of the film is something you considered and took seriously - what was your motivation to have everything constantly out-of-whack (for lack of a better term) in terms of the visuals/sound-design?i vaguely remeber reading your review, which to me is not unfavourable at all by the way, it’s just someone talking about their own personal experience with an extreme movie and that’s what it’s all about! I really just find it interesting and in my opinion your review has very little to do with me directly, it’s all you, and i’m happy to hear anyone’s thoughts on my art even if they HATE it. However, with regards to the videography in SVD, it’s Angela; it’s hear shaky, unstable, nauseated, fragmented, delirious, hellish debilitated state that she’s in. when i shoot and direct i’m in character as Lucifer Valentine, in this case Angela’s imginary friend, and she is reflected in me and i am reflected in her, so the camera depicts that horrific (and nauseating) state. so the “camerawork” is part of Ameara’s performance and comes from her experience. i dont tame the camera and make little storyboards like Steven Spielberg and have a committee of one hundred agree on a nice stable shot that makes perfect sense and adheres to what people have learned about the history of film making, i videotape a person tied to a character in the most blackest hellish moments that i can conjureInterviewer:  Fair enough. I may not have gotten much out of it, but I’ve talked to others who defend it to the death - so it’s definitely a case of whatever floats your boat. Many detractors also consider the storyline/concept either “threadbare” or somewhat hard to follow, in terms of the other characters who get murdered and how they relate to Ameara’s character - also the pact with Satan aspect seems somewhat understated and I personally didn’t really understand how it fit in with the rest of the story. I know that SVD is not the type of film that you can “explain” easily - but I’m gonna ask you to try, for my sake, if no one else’s. Try to give me, in layman’s terms, your “take” on exactly what the film is about in terms of storyline. That may be very hard or impossible - but I feel like if anyone can make me “get-it” - it would be you. Doesn’t mean it will change my opinion - but I’d like to have a better understanding if at all possible.

that’s a great question !! however, based on what you’ve said ya may not love my answer. you’re not supposed to “get it”. it’s a kaleidoscope, it’s like looking at one of those ink blots like when ya paint on a piece of paper and fold it in half then look at the whole picture; one any given day you’ll see something or nothing in the seemingly weird blob-like shape on the page. specifically, the scenes in SVD are “given” to Angela from the spirit of her own impending Death; she’s being visited by Death like someone is visited or abducted by aliens. so for example, she wont even really know why the fuck she’s seeing a one-armed girl making a “recording” of a song with a guitar. the one armed girl is Angela being guided along the infernal pathway of her disintegration, the “song” being played and recorded is her helplessness and references that she caused her own downfall by the choices she made in her life (cutting off her arm to spite the guitar). The scenes in SVD are the Demons of Angela’s life all coming to haunt and terrify her and signal to her the beginning of the end of her life, like a death ceremony, and it’s warped and twisted, disorienting and CHAOTIC and would never make sense to anybody in that state. Hank Skinny sawing open the head of a “John” one of Angela’s customers, eating his brains, then puking them back into his head, is a Gluttonous Bulimia Demon taunting and tormenting Angela from the unconscious realm, as if to say to her, “instead of opening up “the mind” of the people that treated you like a whore Angela, and at this point trying to help you as you leave this life by giving you some anwers to quell your soul, i will devour the mind of your abusers and vomit it up, bulimia-style, right in your face (the camera lens) leaving a bloody cerebral indecipherable mess that just exacerbates how horrible your experience was, but doesn’t “solve the riddle” of why, because there is no conclusion to Hell, it’s INFINITE”. The pact with Satan, as i mentioned earlier is a reverse homage to Geraldo’s Satanic panic tv shows, but also is Angela’s mind re-creating her attempt at solace and her resignation and failed attempt to gain Satan’s protection, because she is literally doomed, no one will come to her rescue, not even Satan himself will cut her a deal.

Interviewer:  I think that helps. I don’t know that your explanation will necessarily make me “enjoy” the film any more than I did during my initial viewing - but it does clear up (for me at least) a few of the more “vague” details. I will say that the gore footage in SVD is very well done. The FX artists, Arcanum, have they worked on other projects that we should keep an eye out for? Also - some of the scenes looked as the though Hank Skinny was vomiting blood - was there something “special” that he injested prior to filming to gain that effect, or was that just a “nice” coincidence?

Arcanum Design Works are just amazing and so talented and are great friends of mine, it’s always a joy to work with them on set; they don’t want me to name drop and/or talk about other projects they work on in my interviews so I’m obviously going to respect that. Hank Skinny puts various things in liquids that he drinks to make the vomit appear red or bloody; if all that spew was actual blood, I would have had a few medical problems on set.

Interviewer:  That’s fine, I’ll respect Arcanum’s wishes as well - but they did do a fine job with the gore - and tell Hank Skinny that drinking too many strawberry daquiris will achieve the same effect… From what I understand, SVD is meant to be part of a “Vomit Gore” trilogy. I believe the next segment is entitled ReGOREgitated Sacrifice, correct? What can you tell us about that project, and the third installment. Will it/they have the same “look” and “feel” as SVD or are you going for something entirely different? How far into the process of RS are you currently?

I have wrapped shooting on ReGOREgitated Sacrifice and am now in the beginning stages of post production. RS is a continuation of the story and Death of Angela Aberdeen and Kurt Cobain. As for the look and feel of RS, I can’t say yet because I’ve barly begun to manipulate the footage and see the story emerge which effects the look, but I can definitely say that it is very BRUTAL and horrific as we journey further into Angela’s Hell. As for the third instrallment of the Vomit Gore Trilogy, it depends on what happens in RS because that will have a big effect on where we go for the third installment. Also, I will likely release two movies that I have already shot before making the third installment of the Vomit Gore Trilogy; I have already shot a short film about Date Rape and I have a full-length documentary about a group of Black Metal friends that all killing themselves.

Interviewer:  Are the short-films you mention more “straight-forward” visually/storywise, or are they also very “stylized”, the way SVD is? I’d LOVE to see the date-rape one, got a screener layin’ around???

your idea of straight forward is very different than mine (because i think SVD is straight forward), but, I think that “A Perfect Child of Satan” (the Date Rape movie) automatically has a recognizable story because most regular people can imagine from their own every day experience the expectations and excitement of going on a date with someone special and brand new in their life. The documentary about people killing themselves is a full-length movie and again I think it may on the surface come across as more straight forward because it likely may seem not as complex as SVD, which it definitely is, it just has more recognizable scenarios. I can’t distribute any screeners yet as either movie is not complete.

Interviewer:  I was jokin’ about the screeners - but keep me in mind if you get some together - you know I’ll post an honest review, and might give us something to talk about at a later date.

ABSOLUTELY !! that would be great !!

Interviewer:  I never watched the special-features on my SVD disc until today. I was hoping to catch a glimpse of the man behind the film - but I saw no picture of you, unless I missed something. Do you keep your appearance “secret” for a reason, or is this a coincidence. Also, to your knowledge, was Ameara on drugs during the shoot? I’ve had a lot of friends that were “users” and she seemed really out of it during the behind-the-scenes footage...

yeah there are quite a few reasons why i keep my appearance secret, although in public i’m kinda hard to miss, i look like a skeleton on stilts, and i ususlly wear 4 to 6 inch platform boots so i get even more height . . . but yeah i have had actual death threats due to different kinds of art, that has appeared in various art galleries, i have made throughout my life from square “civillians”, and i prefer to keep it as simple as possible by not promoting my actual appearance to squares, i also never let anyone take photographs of me ever for that reason. Ameara has been on a smorgasbord of anti-psychotic drugs (Lithium, Anafranil etc.) ever since i’ve known her, and, i love the gal, but she does tend to drink alcohol a fair bit which plays havoc with the truckload of prescription medication constantly permeating her bloodstream. During the making of SVD, Ameara would regularly review the footage from all shoots, whether she was fucked up in the shoot or not, and she would give her blessing to me in a sober state, even though we agreed that i could still go ahead and use the footage if she decided she didn’t like it, but thankfully she never had a problem with any of the footage.

Interviewer:  Thank you for two very honest answers.

you mentioned receiving “threats” due to your work - have you received any that actually made you fearful for your life - if so, what happened? And on a similar note, have you ever been in any trouble with the authorities with either screening, producing, advertising, etc…either your artwork or SVD specifically?I have never been in any trouble with the law largely due to the fact that Kingdom of Hell Productions Inc. has an amazingly talented legal department that is one of the best in the business for representing an artist such as myself. On each production that I do, I “present” it on paper to my lawyer with multitudes of “what if” scenarios BEFORE I go out and shoot the production; I get the opinions of my legal counsel and executive producer, then I proceed knowing what is OK and what is not. A few years ago I had some gallery art shows and several people were outraged to the point of making physical and even death threats toward me; on two occasions did I actually feel weirded out and very concerned for my safety because one person was a christian religous fanatic (and ya just never know what those sickos are gonna do), the other was a macho dude trying to impress his girlfriend I guess and he actually resorted to obscene phone calls because he found out where I was staying with friends for a while, he even stalked me by parking his car outside the building I was at; waiting for me to come outside. Other people took the more passive approach and just threatened, en masse, to rip down my art from the walls of the galleries and destroy the work right then and there; I would have fucken loved to videotape that, sadly the sheep were subdued, lulled back into apathy, and herded off to view CNN and reality television.Interviewer:  I should have asked this earlier but it’s on my mind now, so I’ll ask it now…regarding the emetophilia - do you “participate” i.e…do you like to be a “puker” - or do you only enjoy witnessing the experience? Have you, or anyone else that you know personally that is involved in this particular fetish suffered any adverse health-effects from it’s practice?

with Emetophilia, i am the “puke-ee”, not the puker, so i like it when gals puke on me, usually on my cock so i can puke-fuck them, and sometimes in my mouth or down my throat; this is a strange anomaly in my sexuality because i am extremely sadistically dominant to women so emetophilia is an exception in which i’ll let someone “do something to me” that is somewhat of a defilement or desecration ie. puke on me. however, the sadistic aspect on my part is still there in many cases because i will deepthroat gag the gal with my cock which is still an act of violence that puts the lovely and willing gal in a submissive role. Amazingly, no one that i know of or that i have been sexually involved with in regards to Emetophilia has had any injuries or health problems as a result of it. i highly doubt any doctor will give ya that the thumbs up to go and drink puke or have it rammed it into your ass, and i dont reccommend that anyone go and try it without really thinking it through, but if ya do it correctly and make the puker DRINK TONS OF WATER and not eat a large pizza or pot roast before they puke, you will likely be OK.

Interviewer:  In that answer - you actually touched on my next question. In the special-features of SVD you (I assume that it was you behind the camera) said to Ameara, as maybe a means of protecting yourself from liability - that you don’t see SVD as a film for “sexual arousal” or subversive/”obscene” behavior - but honestly, isn’t that exactly what it is for the most part? I personally called it a fetish-film for emetophiles (not without some artistic merit I’ll add…) - but isn’t SVD just a way to bring puke-fetishism to the “mainstream” and make money off of something that many others haven’t either seen yet, or could whack off to (if they’re into that scene)? How would you like to address those that see SVD as nothing but “puke-porn”? Is that true or not?

well, i don’t think there’s any danger that emetophilia will ever become too mainstream, or that “puke-fucking” will be a household term, or we’ll see tense married couples on the Dr. Phil show arguing that the wife doesn’t dilute her puke enough, or that the husband doesn’t ram his cock far enough down his wife’s throat . . . seriously, emtophila, and hardcore sex itself, is simply “what i do with consenting gals” and i personally am fixated and obsessed with hot girls puking so it easily finds it way into my movies and becomes a theme because i usually am focusing on a gal like i did in SLAUGHTERED VOMIT DOLLS with Ameara LaVey. Also, Ameara was my girlfriend, so naturally the footage will be sexually charged, it just happens to be pretty gnarly stuff. You can look at the whole puke-porn-vomit-fetish aspect to SVD in a very simple way with these examples of directors’ obsessions: Russ Meyer loved gals with BIG tits, so they populated his films regardless of the subject matter, Ed Wood Jr. loved to cross dress and wear pink angora sweaters, so he naturally, almost uncontrollably incorporated those themes and images (and actually performs in Glen or Glenda) into his films, Herschell Gordon Lewis loved to eat fried chicken, so he got sponsored by Kentucky Fried Chicken, put buckets of KFC in over-the-top, centre screen, product placement moments, and even had Colonel Sanders himself make a cameo appearance The Blast-Off Girls. The object of these directors’ fixation is a thematic element in their body of work throughout their careers as artists but the subject matter and characters in their films had dynamics and variations. An automobile and race car enthusiast will likely be inclined to make racing movies. An ex-major league baseball player will be inclined to make a baseball movie. A UFO enthusiast will be inclined to make a sci-fi alien movie . . . i think you get the point.

Interviewer:  I must say that you make a damn good point. People typically bring their personal experiences to the table when it comes to their art - at least until the “big-money” is involved…

As I’ve noted before - I am a regular member on the IMDb horror message board forum, and thought it would be interesting to give some of the other members there the opportunity to ask you some questions, so these are questions that other IMDb members had about you or your film. I offered for them to ask ANY question that came to mind, and here is what I got in return
(Note [] indicate where I had to change/edit the original question to fit the “form” of the interview. The “context” of the questions were not changed in ANY way):

diabloblanco_69: [ what do you do] for legit money? Does filmaking pay your bills and if not what does? I always find that what an underground artist actually does for cash is interesting...

I am happy to say that it does. I have the best exceutive producer on the face of the Earth, Nobody (that’s his name), and he procures film production budget money for me (we’ve shot four films together thus far), as well as funds for my time, expenses and general cost of living. Luckily, I can do almost everything myself (writing, directing, shooting, lighting, casting, locations, editing, sound design, visual effects) except for prosthetics and actually acting on camera in my movies so we save A LOT of money and dissatisfaction there. i just make art for my living and i feel that underground money is legit and mainstream money is counterfeit. [My other question…What are the] motivations to make films that are guaranteed to not be liked by the majority of people out there? I’m not just talking about the vomit fetish per se but, also the lack of a plot, quality acting etc. I mean at the end of the day is [it] all worth it? i don’t think in terms of what anybody will like, other than myself, when making movies, if ya read my blog or the entirety of this fine interview, ya may notice that SVD has a massive, very complex plot if you’re interested to know that . . . and i feel that Ameara LaVey’s performance in SVD is a “real” performance, and she is to me the epitome of what a great actress is: fearless, tragically beautiful, and totally natural on camera.

What is it like being an artist who use such a bizare medium that most would never understand it?It really can’t be any other way and it’s great !! I refuse to be an unhappy person that comprimises and tries to please others artistically. I am always just gonna be myself, some people will like it and some wont. I have many friends that are directors and I have been privy to a great many of their tales of misery and frustration of being at the mercy of committees of squares at big production companies presenting them with impossible tasks for shooting and seemingly insurmountable obstacles; in effect, censoring and artistically castrating them on a daily basis with the promise of one day becoming a big famous Hollywood director; obviously I don’t give a good fuck about that kind of life (or I wouldn’t have created Vomit Gore and SVD) and I never will.andy_gza: Do you have plans to make a movie with a more “traditional narrative”?, That is to say a slightly more commercially digestible (then regurgitated) movie?(Note from Jason - it’s understood that you have the “Vomit-Gore” trilogy in the works and the short-films you mentioned - this question is more related to “long-term” film-making plans not related to the SVD trilogy) sure i’d have no problem with that cuz many of my stories can be told in more recognizably relateable ways, but that would have to happen naturally because the story needed to be told that way; if someone asked me to utilize a “traditional narrative” as a PREMISE for a movie, i would politely walk out of the room and never speak to them again cuz that’s just sad; that’s like a gal saying, “can we just do it missionary-style for a year straight?”

what does your mother think of your movie?

Unanswered

Sinister_Zombie: [I’d like to ask about the] attitudes of [your] actors/actresses towards the vomit/gore content. Were any of them overly reluctant to do certain things, and if so, what?the only time any actor in SVD was reluctant at all to do something was Ameara LaVey couldn’t complete a scene in which i needed her to roll a joint filled with maggots; she was terrified, and she tried valiantly but just couldn’t do it.Do the actors/actresses share the same attitudes towards the “vomit gore” genre as [you do]? If not, maybe [you] could give us an idea of what their overall thoughts are towards it….all my actors are friends of mine and they know me and understand where i’m coming from even if they think it’s quite odd; and because we’re close friends, they support me and my art and happily take part in the shoots which is always a party atmosphere in which people usually never even want to go home at the end of the night cuz we always have a blast.

Golgo-13: [Why did you pick] the name Lucifer Valentine? (Note from Jason …and how long have you gone by that moniker?)

Lucifer Valentine is the name I gave (about three and a half years ago) to the supporting character, played by me, in Slaughtered Vomit Dolls, to Ameara’s LaVey’s lead. I directed Ameara to treat Lucifer Valentine the same way a child treats an “imaginary friend” that they make up as a companion to replace something that they have lost or is MISSING from their lives, which also represents the onset of children’s construction of out of body selves and/or, in extreme cases of abuse, other or multiple personalities. So Lucifer Valentine is the name a child gives to the painful sadness that is making them float away from this world, and disassociate their minds and bodies from their Hellish developmental existence on Earth.

gore666: [What are the] reactions to [your] film from other underground directors and crew?my crew all love SVD and are pleased to have been part of it and were stoked to do my next film; as for other directors, i don’t really know because i don’t talk to many other extreme underground directors, not by choice, i just don’t know many of them personally.3_elevan: [Is] the burp/barf combo even more enticing? I find it more humorous, maybe [you find] it more sexy - for lack of a better word.actually i hate burping, and anyone who knows me always immediately apologizes if they burp around me.

It’s known that you’re an emetophile….are you attracted only when a woman vomits or are you equally attracted to a man if he pukes?only hot women, and i only like it when they vomit ON ME, i don’t puke on girls, and i am not attracted to guys at all, puke or no puke.Besides making films, what do you do with your spare time?interviews and promotion, have sex with my sister Cinderella who is also my girlfriend (she has a small part in ReGOREgitated Sacrifice), working out in a gym, traveling, reading, writing, playing guitar, watching boxing.

et_exorsismorum: [Did you have] any kind of ventilation on the set of the movie during the vomit scenes? 

I’ve got no problem watching someone vomit, it’s the smell that gets me. we had the windows open as much as possible, and diluted the contents of people’s stomachs as much as possible (which gets rid of the smell if they don’t eat too much) by making people drink TONS of bottled water until their stomachs were distended.

What does the Church of Satan think about SVD? What do you think the Black Pope himself, Anton LaVey, would think about this film? Are you a registered member of the church?actually the Church of Satan discussion board told me to get lost and make sure i take my medication which i thought was a very nice compliment and kinda ironic as my parents are devoted Satanists (and i’m not on any medication). i think Anton LaVey would like SVD and would see the face of Satan in it as i do. i am not a registered member of the Church of Satan, i figure growing up in a Satanic household is registration enough.

Scott-from-Modesto: Mr. Valentine, just how big is your dong? People are talking…Comment?

pretty normal size, not huge, it kinda looks like Maxhardcore’s cock, so about that size etc.

Helltopay27: What made [you] decide to turn to Satan?

(Note from Jason: this question has been somewhat covered in your “history” - but many children don’t follow their parent’s religion, so I feel this is a valid question) i didn’t really “turn” to Satan, i was brought up in a satanic household so that’s what i knew my whole life and it was normal and as a youngster i really liked watching the rituals my parents did. i was never as hardcore about it as my folks are, but i do agree with what they taught me as a Child of the Beast.

Lastly, is there anything else you’d like to mention as far as promotion, other projects, “shout-outs” or anything else that you feel that we may have missed? This is your chance to speak your piece and say anything else that you’d like…

INCEST is great.

In closing, I would like to whole-heartedly thank Mr. Lucifer Valentine for taking the time to complete this interview. It may not seem like much to the readers out there - but this “conversation” took three sessions and probably close to 10 hours to complete. Thanks Luc for taking the time out to talk a bunch of shit with another shock film fan, hopefully we’ll do it again after ReGOREgitated Sacrifice wraps…Good luck to you and all your future projects (whether I like them or not… - it’s been a pleasure…

THANKS bro, anytime, let’s do it again for the next movie !! Lucifer Valentine 666.